Biography & Early Wealth Journey
Vivian Vance is best remembered as Ethel Mertz, Lucille Ball's best friend and neighbor on the landmark CBS sitcom "I Love Lucy." Playing opposite Ball, Desi Arnaz, and William Frawley from 1951 to 1957, Vance helped create one of television's most famous comedy ensembles. Her performance earned her the 1954 Emmy Award for Best Series Supporting Actress, making her the first winner of that category, along with three additional Emmy nominations.
Vance's association with Lucille Ball continued long after "I Love Lucy." She reprised Ethel in "The Lucy-Desi Comedy Hour" and later co-starred as Vivian Bagley on "The Lucy Show." By that point, published salary histories place her compensation at around $8,000 per week plus bonuses, a significant increase from the $280-per-week salary commonly reported for her first season of "I Love Lucy."
Before television made her famous, Vance had spent nearly two decades building a career on Broadway and in regional theater. Her stage credits included "Anything Goes," "Hooray for What!," "Skylark," "Let's Face It!," and "The Cradle Will Rock." Her later years included additional television appearances, stage work, and advocacy for mental health causes.
I Love Lucy Salary
Primary Income Streams & Multi-Million Contracts
Vivian Vance's initial salary on "I Love Lucy" was considerably lower than those of series creators and stars Lucille Ball and Desi Arnaz.
Published salary histories generally place Vance's starting compensation at approximately $280 per week. William Frawley, who played her television husband Fred Mertz, also began the series at a relatively modest salary compared with Ball and Arnaz.
Vance's compensation increased substantially as "I Love Lucy" became one of the biggest hits in television history. By the time she reunited with Ball on "The Lucy Show" in the 1960s, Vance was reportedly earning around $8,000 per week plus bonuses.
Unlike Ball and Arnaz, Vance did not own the production company or hold the same kind of ownership interest in the series. Her wealth therefore came primarily from acting salaries rather than from the enormous long-term value generated by ownership of "I Love Lucy."
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Early Life
Vivian Roberta Jones was born on July 26, 1909, in Cherryvale, Kansas. She was the second of six children born to Robert and Euphemia Jones. Her family later moved to Independence, Kansas, where she attended Independence High School.
Wealth Trajectory & Future Earnings Projections
Vance became interested in acting as a teenager, an ambition that conflicted with her mother's strict religious beliefs. Determined to pursue performing, she eventually left Kansas and moved to Albuquerque, New Mexico.
There, she became involved with the newly established Albuquerque Little Theatre. She performed in productions including "This Thing Called Love" and "The Cradle Song" and became sufficiently popular with the local theater community that supporters helped finance her move to New York, where she studied acting.
Broadway Career
Vance arrived in New York during the early 1930s and began building a Broadway career as a singer, dancer, and actress.
Her first Broadway credit came in the 1932 musical "Music in the Air." She later appeared in the original production of Cole Porter's "Anything Goes," performing in the ensemble and serving as an understudy for Ethel Merman.
Vance gradually moved into more prominent parts. She appeared in "Red, Hot and Blue" and earned an important supporting role opposite Ed Wynn in the 1937 musical "Hooray for What!"
One of her biggest Broadway successes came in 1941, when she was cast as Nancy Collister in Cole Porter's "Let's Face It!" alongside Danny Kaye and Eve Arden. The production ran for more than 500 performances.
Her other Broadway credits included "Skylark," "Out From Under," "It Takes Two," and the 1947 revival of "The Cradle Will Rock."
During the 1940s, Vance also experienced a serious period of emotional and physical exhaustion that interrupted her career. After treatment and time away from performing, she gradually returned to the stage.
I Love Lucy
Vance's life changed permanently in 1951 while she was appearing in a production of "The Voice of the Turtle" at the La Jolla Playhouse in California.
"I Love Lucy" director Marc Daniels saw her perform and encouraged Desi Arnaz and the show's producers to consider her for the role of Ethel Mertz. Vance was ultimately cast as Lucy Ricardo's landlady, neighbor, and closest friend.
"I Love Lucy" premiered on CBS in October 1951 and rapidly became a television phenomenon. Vance's Ethel provided the ideal accomplice for Lucille Ball's schemes, while her sarcastic exchanges with William Frawley's Fred Mertz became another central element of the series.
The chemistry among Ball, Arnaz, Vance, and Frawley helped make "I Love Lucy" the most-watched program in the United States for several seasons. The original half-hour series ran for six seasons and produced 180 episodes.
Vance became the first recipient of the Emmy Award for Best Series Supporting Actress in 1954. She received three additional Emmy nominations for playing Ethel.
Despite their convincing portrayal as a married couple, Vance and Frawley famously did not enjoy a warm off-screen relationship. Their personal friction, however, never prevented them from becoming one of television's most recognizable comedy couples.
The Lucy-Desi Comedy Hour
When the weekly version of "I Love Lucy" ended in 1957, the characters did not immediately disappear.
Vance and Frawley continued playing Ethel and Fred Mertz in a series of hour-long specials that became known in syndication as "The Lucy-Desi Comedy Hour." The specials reunited them with Lucille Ball and Desi Arnaz and ran through 1960.
There was discussion of spinning Fred and Ethel off into their own television series, but Vance had little interest in continuing indefinitely as Ethel without Ball.
The Lucy Show
Vance reunited with Ball in 1962 for the CBS sitcom "The Lucy Show."
This time, Ball played Lucy Carmichael, a widowed mother living in Danfield, New York, while Vance played her divorced best friend and neighbor, Vivian Bagley. The decision to name the character Vivian helped distinguish Vance from Ethel Mertz, a role with which she had become overwhelmingly identified.
Vance was a regular during the show's first three seasons. She was living in Connecticut with her fourth husband, John Dodds, and eventually became tired of regularly traveling across the country to work in Los Angeles.
She left the series as a regular in 1965 but returned for guest appearances during later seasons.
Vance was reportedly earning around $8,000 per week plus bonuses during her time on "The Lucy Show," illustrating how dramatically her earning power had increased since the early years of "I Love Lucy."
Later Television Career
Vance continued making television appearances after leaving "The Lucy Show."
She guest-starred on programs including "The Deputy," "The Red Skelton Show," and "Love, American Style." She also appeared in television movies including "The Front Page," "Getting Away from It All," and "The Great Houdinis."
Vance continued her professional relationship with Ball through appearances on "Here's Lucy." The two actresses appeared together for the final time in the 1977 television special "Lucy Calls the President."
Her final television role came in the crime drama "Sam" in 1978.
Film Career
Although Vance became one of television's most recognizable performers, movies were only a small part of her career.
Her credited feature-film appearances included the 1950 psychological thriller "The Secret Fury," starring Claudette Colbert and Robert Ryan, and the 1951 drama "The Blue Veil," starring Jane Wyman.
In 1965, Vance appeared as Hester Goodbody in Blake Edwards' large-scale comedy "The Great Race," alongside Jack Lemmon, Tony Curtis, Natalie Wood, and Peter Falk.
It was her final major theatrical film role.
Return to the Stage
Even after becoming a television star, Vance continued returning to live theater.
Her post-"I Love Lucy" stage work included productions of "Here Today," "The Time of the Cuckoo," "Don't Drink the Water," "Barefoot in the Park," "Butterflies Are Free," "Arsenic and Old Lace," and "Harvey."
She also returned to Broadway in 1969 in "My Daughter, Your Son."
Theater remained important to Vance throughout her career. Long before Ethel Mertz made her famous, she had already spent years establishing herself as a serious stage performer, singer, and comedian.
Personal Life
Vance was married four times and had no children.
She married Joseph Danneck Jr. in 1928. They divorced in 1931. Her second marriage, to George Koch, lasted from 1933 until 1940.
In 1941, she married actor Philip Ober. Their marriage ended in divorce in 1959.
Vance married publisher John Dodds in 1961. The couple initially lived in Connecticut, which contributed to Vance's decision to reduce her workload on "The Lucy Show." They later moved to Belvedere, California, north of San Francisco. Vance and Dodds remained married until her death.
Vance also became an advocate for mental health awareness. Having experienced her own serious breakdown during the 1940s, she later spoke openly about mental health and served on the board of the National Mental Health Association.
Death
Vance was diagnosed with breast cancer during the 1970s. The disease later spread, and her health declined significantly toward the end of the decade.
Vivian Vance died at her home in Belvedere, California, on August 17, 1979. She was 70 years old.
Her husband, John Dodds, survived her and inherited the Vance-Dodds estate. He died in 1986.
Vance received a star on the Hollywood Walk of Fame for her work in television. In 2012, more than three decades after her death, she and William Frawley were jointly inducted into the Television Academy Hall of Fame, formally recognizing the enduring impact of the television couple they had created as Ethel and Fred Mertz.
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